As time flows

12 weeks, and they have flown by, since I’ve posted here, Kissie. I’ve traced these months with memories so fragile and distinct; so immense and complex that I feel I’m standing at the sea waiting for the words to rush in and write me. So I go to my pen and paper and scratch out my feelings there, or on my walks in the early light, I speak to you, out loud.  I say your name, and talk as if you are walking beside me, as we used to. I don’t ever want to stop saying your name — in fact, all your names: formal, informal, married, single, and best of all, your nickname. The name I gave you as a child when I couldn’t say Chrissy.

As time flows, no matter the measure, this blog remains close to my heart. It’s one of my ways to love you now.

Also as time flows, I find that I want more ways to grieve you and remember your life, not less. I notice I get angry and frustrated and impatient when I find these outlets lacking, and people unwilling to mourn and revisit the past. So I seek them out, people unafraid of their own grieving, and those weaving their memories into something worth keeping. Those who did not lose their loved ones but who had to, nonetheless, say goodbye and see them down. When I can’t write, or spend time in the company of these fully alive souls, I find that I must cry it out. It’s cathartic for me, and as honest as it gets when words are of no use.

This resonant piece Death and families: when ‘normal’ grief can last a lifetime – by a bereaved sibling has some excellent observations on the passage of time and the pervasiveness of death phobia.

Immersion

Here is a poem I’ve come to love, followed by my reflections. It’s by Barbara Crooker from her collection “Gold.”

Grief
is a river you wade in until you get to the other side.
But I am here, stuck in the middle, water parting
around my ankles, moving downstream
over the flat rocks. I’m not able to lift a foot,
move on. Instead, I’m going to stay here
in the shallows with my sorrow, nurture it
like a cranky baby, rock it in my arms.
I don’t want it to grow up, go to school, get married.
It’s mine. Yes, the October sunlight wraps me
in its yellow shawl, and the air is sweet
as a golden Tokay. On the other side,
there are apples, grapes, walnuts,
and the rocks are warm from the sun.
But I’m going to stand here,
growing colder, until every inch
of my skin is numb. I can’t cross over.
Then you really will be gone.

***************************************
She doesn’t say she won’t cross over, but that she can’t. In this, the poet recognizes the seismic impact of a significant death. For me, it also speaks to grief’s import in my personal growth and relationships. Moreover, to force the passage of my grief, to “move on” too quickly, feels unnatural. Particularly the phrase, “nurture it like a cranky baby, rock it in my arms,” suggests an instinctive cleaving to grief, and the acceptance of a mourning time – a time like childhood, to be cherished and gleaned for its truths. Like childhood and water, it is moving, and will inevitably change. The insights and ongoing connection to Kissie that grief has offered me are personal (“It’s mine”), and though they will likely (hopefully) be long-lasting, they are not static.

Significantly, this poem counsels me to respect where I am in grief, to resist turning away from my individual mourning as chronos time (like “water parting around my ankles”) marches on, and cultural dictates urge me to put it, and therefore Kissie, behind me. My mourning and my love cannot be separated.

The poet also acknowledges that even in grief life remains beautiful (“Yes, the October sunlight wraps me in its yellow shawl, and the air is sweet as a golden Tokay”), but that to fully sever it, is to orphan ourselves.

Grief and Social Media: At time of death

A topic for which one post will undoubtedly not suffice, the age of social media is rife with considerations we might do well to address sooner rather than later. Social media was the furthest thing from my mind during the last precious days of Christine’s life. As we gathered to share those final transformational hours as a family, time was seemingly suspended, never to be the same again.

In the immediate aftermath of her death – that initial, fragile, devastating time – we held on to each other, and as we could, began placing initial calls to our nearest and dearest who were solemnly waiting for word. The next circle of family and close friends would follow as soon as we could muster the strength. Some would be asked to be personal messengers to others as our emotional strength gave out. Not a half day had passed (she died in the morning) before we began to hear that people were learning of her death via Facebook. Among them, some we hadn’t yet had a chance to contact.

I was called by a dear friend of ours I’d wanted to phone myself, a historical friend who knew our lives and relationship, someone I could sob and be overwhelmed with. But she had already been contacted by a mutual friend who’d read it on Facebook. I was instantly furious, and then, crestfallen. She had to calm me down and tell me it was alright that she didn’t hear it from me personally. It felt as if our undiluted, first opportunity to mourn together was stolen. It wasn’t until much later that we really cried together. My anger wasn’t about who had received word first, or from whom, but how.

Only scant hours after Christine’s death, social media posts felt intrusive – as if our profoundly personal and meaningful passage had been co-opted as just one more bit of “news,” and precisely when we most needed to share our thoughts and emotions first-hand.  Our life-altering experience felt reduced – reported in others’ “news feeds” with their interpretations and motivations. It felt insulting and painful to my mind, heart, and emotions. How could it be that the time we needed in our most vulnerable state, was underestimated, misunderstood, not considered? A few hours was too soon.

In contemplating this relatively recent phenomenon, I’ve realized how little exists in the way of guidance when it comes to the use of social media around death and grief. Some people possess an approach that’s basically parallel to their offline social behavior: if they wouldn’t do something offline, they wouldn’t do it online either. Others, by contrast, seem at a loss to know how to align their online behavior with what they would customarily do in person. The disconnect, at least in part, seems be related to a number of readily observable phenomenon. One being the immediacy of social media communication and the sense of urgency it engenders. I can feel it almost instantly on any number of social sites as soon as I log on. The urge to post something new, exciting, and attention-getting is part and parcel of the experience. This compulsion to create content can, and sometimes does, override better judgement. Another is a kind of “personal insulation” – a sense of detachment from consequences and considerations one would make in person, but that online, one may rightfully renounce.

I have no intention of deriding the respectful and responsible use of social media for sharing the experience and impact of a death, and to inform wider circles who may not have been personally close to the deceased, but who nonetheless care and want to support their grieving loved ones and friends. Quite the contrary, as these are legitimate uses. However, much more care and consideration can be taken to keep the grief-stricken foremost in mind and heart, beginning in the immediate aftermath of a loved one’s death. To slow down, to patiently pause, to consider the magnitude of death, of its unalterable consequences, is to move toward real empathy, and then to act accordingly.

Time, and time again

The passage of time, the marking of it, has never been stranger than since you died. Dates, seasons and their associated import and memory, seem to be tattooed just under my skin – out of sight, but exerting themselves effortlessly into consciousness (or semi-consciousness) at the appointed time. Anniversaries of all sorts – doctor appointments, hospital stays, trips we took, last times we did this or that – especially that last year, are sentinels of significance that I appreciate and long for, even if they’re painful. When I look at the actual calendar and my record of events for confirmation, I think, “ah yes, no wonder I feel this way.”

As I mentally and emotionally move through the chronology of 2013, the turning over and remembering of its defining moments, I’m negotiating, as I must, the present-moment. It seems to me a kind of slipstream time, the present. A time oddly hidden from itself. More like a shadowed or cocooned time. Time that is pulled somehow, largely invisible, and without a sense of perceptible movement, but definitely evolving. A waiting, suspended kind of time the clock-driven world is impatient with, and sometimes I feel like I’m a step behind (or ahead) even while all appears to be moving at the expected and customary pace.

Because time has felt so surreal since your death, it helps me to think about the ancient Greek understanding of time. They defined time as either chronos – sequential, chronological time – or kairos – “a time when conditions are right for the accomplishment of a crucial action.” In short, kairos being a more conditional or subjective understanding of time, and chronos more objective and measurable.  These past three years, this slipstream of time, feels more indeterminate and evolving, more kairos than chronos, even though intellectually I understand it is both. I feel less anxious when I consider the time I’m experiencing now as kairos time. It has a liminality I try to embrace, and it feels especially crucial. Most of all, you seem to exist here. We exist here.